Reviewed by Matthew Kilburn

Changing the Face of Doctor Who
Designed by Colin Brockhurst
Additional illustrations by Steve Andrew
Published August 2015

Last year Colin Brockhurst’s portfolio The Day of Doctor Who was widely acclaimed for its presentation of a fifth anniversary special that might have been. There William Hartnell and Peter Cushing had joined Patrick Troughton in a story which – as the imagined Radio Times cover, listings and even telesnaps suggested – pseudo-anticipated The Day of the Doctor while tying in with 1960s stories from An Unearthly Child to The War Games as well as reconciling (for those who think it necessary) the cinematic and television versions of Doctor Who. The project looked less like something created than it did a series of artefacts which had somehow fallen through a wormhole from another universe, where Doctor Who had proceeded in a different but parallel direction to the one we know.

Colin has now returned with a second set, Changing the Face of Doctor Who, which explores an alternative past where a different succession of actors assumed the role of the Doctor. Again, this is an exercise in counterfactual history which draws on recognisable events, settings and products but shifts them slightly sideways so the audience is engaged with an alternate past just that little more out of reach than the one we know. Geoffrey Bayldon stares out of the Radio Times launch cover Doctor Who never had in 1963. We’d not have had discussions over what kind of hat the second Doctor wore in early photographs had he been wearing Brian Blessed’s bowler. Ron Moody appears on the cover of a Radio Times from the first week of January 1970 being menaced by a Yeti, recalling the photocall which revealed Jon Pertwee’s third Doctor; but opening the brown envelope printed ‘Radio Times listings’ discloses that in Colin’s projected universe the third Doctor’s era began with Mervyn Haisman and Henry Lincoln’s Yeti tale The Laird of McCrimmon. How Ron Moody’s Doctor is exiled to twentieth-century Earth to take on Peter Cushing’s Master the following year in The Spray of Death must remain a subject for speculation. The Radio Times entries, inspired by unproduced tales which were abandoned in early stages of their development by the production office, are especially eerie because their phraseology and layout accurately recaptures the Radio Times of their pretended day. Colin is a master at sourcing and recreating typography from the days of hot metal composition and photogravure as he is at recapturing the house style of more recent periods, as shown by a glance at his material commemorating Rik Mayall’s eighth Doctor. Mayall’s screen life seems to have endured beyond one TV Movie, unlike his counterpart in our universe; I wonder if there is a range of Big Finish audios in Brockhurst-Earth’s mediasphere.

Frustratingly perhaps, this set only covers the first eight Doctors. There is no Radio Times cover featuring Hugh Grant and whichever recent graduate from Casualty or EastEnders was supposedly being considered to play Rose Tyler, no James Nesbitt and Robson Green staring out from opposite sides of a DVD box design, no Paterson Joseph and Aisling Loftus on the cover of Doctor Who Adventures… This decision might be regretted, but one (unhappy) consequence of the decision to end with the eighth Doctor (but not necessarily in 1996) is that most of the actors Colin has chosen as his alternative Doctors are dead, one very recently.  Both this and the set's otherwise very limited engagement with post-2005 Doctor Who (but it is recognised, subtly) means that the set doesn’t risk confusing ongoing careers with what could be misinterpreted as marketing materials.

The nature of this kind of work means that Colin has to manage faces which sometimes do not want to be changed and where the source material to effect the transformation has been difficult to obtain, but ultimately the signatures of his alternative Doctors always overwrite those of the ones we know. His collaborator on some items is Steve Andrew, well-known in many fan circles for his Target book pastiches, who provides the cover illustration for the novelisation of Doctor Who and the Robots and for the badge showing Ron Moody’s Doctor in the style of the 1971 Kellogg’s Sugar Smacks series. Again, one suddenly feels the weight of cereal eaten to acquire it, long ago but elsewhen.

The set is definitely of interest to those who like testing the elasticity of Doctor Who’s past as well as its present and future and who imagine how the story of the Doctor and his companions (there are some alternative casting ideas there too) could have been depicted had different choices been made. Excite the interest and comment of all your friends, as Target Books once had it of their badge, but with Richard O’Brien’s Doctor’s first Doctor Who Magazine cover on your wall. In the meantime, I’m off to watch Ken Campbell’s Doctor in Storm Over Avallion – I’m sure I left the disc somewhere…

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The Doctors - The Archive
Published by Trinity Mirror in November 2013
Written by Kenny Smith

This year has, understandably, seen a plethora of publications marking the 50th anniversary of Doctor Who. Somewhat surprisingly, Radio Times didn't rise to the occasion as it has done so admirably in the past, but another national publication with an equally enviable photo archive has produced a magazine that will surely delight many a fan.

The Doctors - The Archive draws on pictures taken by the Daily Mirror at numerous press calls over the decades, and its 84 glossy pages are filled with numerous black-and-white and colour images, including many mouth-watering ones that are unlikely to have been seen before, such as Jean Marsh as Sara Kingdom on set for the Christmas Day 1965 episode The Feast of Steven.

Other goodies include the Cyber chorus line, staged during the location filming for Silver Nemesis - the 1988 story marking the show's 25th anniversary and in which, as the magazine proudly points out, the Mirror was turned to by Ace to find out the Charlton Athletic football result! (The researcher appears not to know, however, that the newspaper also appeared in the programme ten years earlier, with the edition reporting the sinking of Titanic seen being read by Chancellor Borusa in The Invasion of Time.) The newspaper's links with the show are nicely brought pretty much bang up to the present with a look at a visit to its Canary Wharf headquarters by Matt Smith and Karen Gillan in March 2010.

With so many spectacular images presented in this lavish offering, we are spoiled for highlights and everybody will undoubtedly have their own favourites, but mention must be made of the fabulous behind-the-scenes shots from the Web of Fear location filming, as well as the photocall for the announcement of Jon Pertwee as the Doctor.

Examples of the terrific pictorial content are given here, along with others in our report of its publication. The magazine also includes insightful interviews with many of the people associated with the show, including Raymond Cusick, Donald Tosh, Peter Purves, Wendy Padbury, Alexandra Tynan (formerly Sandra Reid), Louise Jameson, and former Daily Mirror reporter Robert Banks Stewart. In addition, it seizes the opportunity where possible to impart some delightful nuggets of knowledge - for instance, how many of you knew that William Mervyn, who portrayed Sir Charles Summer in The War Machines, was the father of current production designer Michael Pickwoad?!

The cover price of £4.99 (plus postage, where applicable, if ordered online via Amazon or the Mirror) is a refreshingly low sum to fork out in this merchandise-filled day and age in order to be able to drool over such fine professional pictures. As well as being available worldwide online, UK residents should be able to find it in WH Smith, selected supermarkets, and independent newsagents. And having had your appetite well and truly whetted, if you fancy copies of the rare images featured and you've got a bigger budget, they - and many more - are available from £9 per print at Mirror-Photos.co.uk.

There are some factual errors and regrettable literals, it has to be said, but don't let those very few, minor, nit-picking mistakes put you off. This magazine is most definitely all about the glorious pictures - and that's why it's an undeniable treat of an anniversary publication that deserves a place in Doctor Who collections: a truly impressive Time-Space Visualiser!

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