STORY BY: Robbie MorrisonART BY: Brian Williamson
COLOUR: Hi-Fi
LETTERS: Richard Starkings + Comicraft's Jimmy Betancourt
HUMOUR STRIP - Colin Bell, Neil Slorance
EDITOR: Andrew James, DESIGNER: Rob Farmer
ASSISTANT EDITOR: Kirsten Murray
Released - May 2015 (Titan Comics)
The action proceeds at full throttle as readers begin the third and final part of the latest story. Clara desperately tries to help her Foster friends, as they are pursued by the seemingly malignant Fractures who need the 'alt-universe' Paul Foster.
With UNIT trying as best they can to fend off such powerful entities who believe their modus operandi to keep reality and timelines secure supersedes all other bonds such as family and friendship.. a final fateful decision must be made. What will everyone's favourite Scot-accented Gallifreyan decide? Will his brand new life cycle (granted officially to him by the still-lost Time Lords) soften his approach? Because it would appear this is ultimately a case of one person falling in order to save Everything Else..
This story has worked quite well in essence, but is perhaps the first story in this range to not quite hit the dizzy heights, which were almost becoming an automatic given for the starring heroes that are the current Doctor and Clara Oswald.
The plot has some very similar themes and aspects to Series 1 gem Fathers Day and yet carries on with an almost nonchalant manner regardless. Yet this story has a far greater scope and scale to it also, which is what we have come to expect from Titan Comics, and the many options available when sets, effects and time are not as much of an issue.
The Fractures were very creepy villains in part one and are decent enough ever since, yet the early promise is not quite met. The twisted doppelgangers aspect just fails to get its pay off. All the same, their moral high-ground over arch-good-guy Doctor is praiseworthy. His final decision to take on the brunt of their fury, and to pay penance in some way further down the line will be a source of speculation and anticipation as time passes by.
Robbie Morrison still never lets his standards slip below 'pretty good'. He keeps up the fine character development for the regulars, as well as fan favourites like Kate Stewart, and makes us care for the Fosters' well-being at all times. Of course having investment in new characters is crucial, and thankfully the emotional beats centre on these Earth mortals in a very involving way. Also, whilst the pacing is just as good in this third part as the previous one, still overall the three instalments do not quite read well together as they might do.
At the same time, the manner in which the Doctor opts for a hailstorm of negative follow-up perhaps betrays the seemingly methodical earlier stages of the plot. Father's Day ultimately was about sacrifice. With the Doctor's many get-out-of-jail cards, his choice to save Paul is rather more of an empty-handed gesture.
As for art quality this time round, I must admit this is somewhat a curate's egg. It's good in parts, and conveys expression and action well enough but some sections look rushed or unfinished. Also some of the real urgency and vibrancy that issues Six and Seven managed effortlessly is replaced with something a bit restrained in a rather different sense. Nonetheless the combination of story and visual style is still a decent pairing.
Peter Capaldi's brusque but passionate manner feels just as ever-present as any TV story. Kate Steward is written well and plays her part in the resolution, but sometimes it feels like a reminiscent sister is being involved every other panel, such are the inconsistencies. Overall then Brian Williamson produces something a notch or so down from the prior two issues. And having such an odd psychedelic / black-and-white cover is also somewhat perplexing.
More positively noteworthy, and indicative of the wider plans Titan's editors are managing carefully as cross-overs loom soon, is the referencing by the writer to creations of his from other stories. These include the 'Echo' featuring the Tenth Doctor, and also the Hyperions back from the very first story in this 'Twelfth' range.
Bonus Humour Strip:
Amusing and creative stuff this month, as it uses rather vague time periods in the same basic setting of Clara's home. The Doctor is in and out of the TARDIS and trying to win his share of The Board Games but Clara has him hook-line-and-sinker. This is a nice little coda to the heaviness of the main action, but a little odd in needing to give out the title and credits over and over again.